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My Movie Theater, Lobby, AV Room, and Game Room

Thanks ediddynsx and medusa. Home construction can be a real pain, but it has its rewards as well.

Hi Otto and Steve,
You're right about Super Speedway and Heat. Super Speedway is an engulfing experience and Heat has some of the best shooting sequences of any movie with amazing sound. Too bad they're not on HD DVD or Blu Ray yet, but they both still look very good upscaled to 1080p from 480p.

Hi awsomr1,
Let me know a couple of weeks before 10/20 and we'll arrange something.

Hi Maximus,
I'm not a good poker player, but my friends like that aspect about me. I'm sure we have a lot in common. Thanks about the baby and rest. She is absolutely precious, as is rest (I finally see how important sleep is for keeping your sanity).

Take care,
J.
 
Hi Maximus,
You and I are not too far away. Probably about an hour?
Your setup is functional and has the wife-approval factor. That's always a good thing.
How do you like your Panny?
I think the B&W Nautilus (the ones that look like shells with those crazy rear-end "spikes") are just great performers, as well as some of the most asthetic-pleasing speakers made. You 805's are great derivatives of them.

Have you tried table-mounting vs ceiling mounting? Can you see a big difference on your HP in terms of quality and brightness?

I am on AVSForum, but am a long-time lurker. I have read a ton of other people's comments and insights, but I have very little posts. Please PM me your "handle" there, and I'll do the same.

Since our daughter was born less than a week ago, I think it may be about a month or so before I can arrange some type of gathering to mess around with the theater and equipment. Let me know if you are interested, and I'll send you the details. Right now, I'm just trying to get more than an hour or two of sleep per night. That would explain why I may be posting at 3am sometimes.

Take care,
J.

I'm actually about 2 hrs from you. I haven't tried table mounting the Panny as it just wouldn't work with our 2 year old.:) I go by Maximus330I on AVS forum. Can you guess which car I had a few years ago?:biggrin:
 
Hi Maximus,
Two hours is not too far. That's about the distance to Monterey.
I understand about having a child around and being concerned about things. I'm already thinking about out how to child-proof our house, and my daughter is not even a week old!
BMW 330i's are great. My brother-in-law loves his 3-series.

PM me if you are ever in the area.

Take care,
J.
 
another one of those "depressing" prime threads.... beautiful house, beautiful new game room +theater~!!!


we should start an "NSX PRIME CRIBS EDITION" thread :tongue:

Tell me about, I spend $36k on my basement and It doesnt hold a candle to this set-up, f'ing sick. I dare to ask what the "wallet drain" was?:biggrin:

And I thought I was a "baller" with a 72 inch TV and a ping pong table:biggrin:
 
Hi The Kid,
I'm sure your basement is awesome. What is your setup? Can you post some pics?
I don't want to calculate what the drain would be. All the walls and ceiling was built at the same time as the rest of the house, so it would take some time to figure out what the portion of the construction costs this would entail. As for the current labor and equipment, it will add up to a pretty penny.

A 72" TV is a "baller" item. I don't know anyone yet who has one that big.

Take care,
J.
 
My wed. "To-Do" List includes buying a digital camera. Once I figure it out, Ill post them up. I just bought an I-Pod last week.:redface:
 
dang. i thought i was cool with my weak 110" screen

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Post them up Kid!

Deltron Zero, the brunette resembles Tera Patrick.
 
Very nice, Mr. Trump! I didn't know that you were an NSX owner.
 
Yawwn sorry for the late reply. First of all I would say for not having a pro help you, you have done a fine job.

Why did you put windows in this room at all?

I would like to say a few things if it is not too late. Do not sheetrock over the entire soffit. Leave some good sized opennings on both the bottom and sides of the soffit (cover with fabric) in every corner of the room. Order yourself some Acoustic Batting and stuff it into the cavity a good 5 feet in. You can buy batting HERE.

Fill the cavity with this batting, and at the corners of the room where bass pressure builds, it will escape through the grilles and into the soffit cavity, and be absorbed by the batting. This is a cheap bass trap, it would cost you 10X what I am recommending if you were to buy them and they still won't work as well.

I would also build a frame about 2-3" deep large enough to blanket the side wall next to the L&R speakers, and lay the batting within the frame, cover with any sort of pleasing fabric (you don't need special speaker cloth here or in your bass traps) that you like, and hang them on the walls directly to the sides and rear of the L&R's. This will absorb all the early reflections and keep the sound much clearer.

Your columns can also act as good bass traps. You can leave an opening at the top or bottom, and fill it with batting. bass will travel and be absorbed, and you will not have standing waves that cause boominess.

If your floor is concrete in the front section, I highly recommend you lay a sheet of plywood down suspended slightly off the floor by some isolation feet. As a quick cheap solution you can put down some wood strapping and place the plywood on top. The floor must have some "flex". Concrete is terrible for acoustics. If you are laying carpet, do not use the foam pad, use the felt type pad. the heaviest one you can find. Its cheap, you can get 32oz at home depot, 40oz available at other places. Since your back 2/3 of the room is plywood floor you may be allright, its better if the front 1/3 is as well but if its a hassle for you now, just lay the thick pad down.

I recommend some diffusion on your ceilings. I don't know how much of the ceiling is fiber optic. Its too flat of a surface. Especially above the money seats, anything you can do to break this surface up will do a lot of good.

In larger rooms like this I like to use 2 sets of side surround speakers, as one set really doesn't give great coverage. But in your case I think the columns would need to be moved and not worth the trouble.

Frankly, with even all my experience I am suprised of the light level you seem to have at over 200" with that projector. That "screen" is probably a lot closer to the 2.0 gain. We usually wouldn't go quite that large on the screen.. but at 2.35 and 1080P you can get away with that these days. Its unique, I will say that. For an amateur, I give you an "A". :)

Oh one last thing... whoever told you don't worry about acoustic panels and tune it electronicaly instead really doesn't know what they are talking about. You want to have a good room FIRST, and tune second. No amount of tuning will be able to absorb or diffuse sound for you. Make sure you go to www.imagingscience.com and find an EXPERIENCED guy to calibrate the setup for you.
 
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Hi Turbo2Go,
Thank you very much for your response! It is greatly appreciated, particularly with how valuable your advice and time is in this field.

I am honored with your statement. I have to say that much of what I did was on my own, but I have to give credit to Maurice, as he was the one who got me thinking a certain way regarding the soffits and the starfield.

In terms of the windows, this was a requirement by my Architectural Design Review Committee when designing the house. I told my architect to not have any windows in this room when we started. However, when we submitted the plans to the committee, they came back and said the outside facade without windows would not fit architecturally (in other words, it would not look good with blank walls to people driving by). Therefore, I was forced to place windows. However, for the five side windows, I put in the least expensive matching Anderson windows that don't open. The double casement window behind the screen had to have the capability to open for Energy requirements. It was a shame to spend all that money for something I would never use!

I actually will not be sheetrocking any of the soffits. We are going to have MDF panels with cut-in panels in the center that will be made of fabric and hollow behind the fabric. Both the walls and the bottom of the soffits will have these panels. I will plan to put the bats behind these soffits, except where the 3" cans will be located. I was definitely planning on making the bass traps as you suggested. The columns will also be made of MDF to better isolate the vibration, resonance, and other issues that regular wood would normally have. The faces of the panels will be built with hinges so that they will swing open to access the speakers and the acoustic material.

I plan to get the Linacoustic or the batting that you suggested. I was going to build these "acoustic panels" to surround every part of the walls. Do you recommend having this all the way from the bottom of the wall to the top where it joins the soffit, and for the side and back walls, or just in strategic places?

My floor is wood everywhere. The stage will have a semicircle shape in which the sides will be 3' from the screen, and the largest part of the radius will be 6' from the screen. It will have four steps, which are 1' apart from each other, and will be about 6-1/2" high vertically for each step. The last step will be about 9' from the screen. All of this stage will be made of wood and covered with black carpet or some type of light-absorbing material. For the rest of the floor, it will be carpet. I will let my installer know to lay felt type pad, rather than the foam.

As for the ceiling, the entire thing will be fiber optic. I tried putting a little texture on the surface to try to break up a little of the reflection. I read much of the advice on AVSForums, and the consensus was to not treat the ceiling in any way if the rest of the room (all walls and floor) will be "acoustically dead". Is there anything I can do retroactively? I can't take out the starfield. I've spent too much time, effort, and money on it.

I was thinking about using 2 sets of side surround speakers as well, but when I consulted with THX, they said for my room specs, the Klipsch THX Ultra2 KS-525 surrounds are sufficient. I figured that if I didn't need to purchase another two speakers and then have to find amps to power them, that would help me with the cost of this project.

Thank you for the compliment about the screen. I really was insistent to have it as large as my wall and stage would allow. For the size of the screen, I am very happy with the results. Maurice and Juan Carlos did an exemplary job with it.

I agree with you. I wanted to make sure to do the acoustic treatment of the theater, but someone with a lot of knowledge said that the Audyssey MultiEQ XT would compensate for it. I still don't think it is enough, so I will make sure do the acoustic batting and then still consider getting the Audyssey system to calibrate for up to 8 seating positions. Of the 24 seats, which eight should I use to calibrate?
If I get the MultiEQ XT system, will I still need an ISF expert?
The Audyssey system was created by Tomlinson Holman (the TH of THX), so I figure it must be a pretty darn good system if he is one of the founders. Check this out: http://www.audyssey.com/whoweare.html

Thank you again for your feedback. I am sure this information is also just as valuable to other Prime home theater enthusiasts.

I'll make sure to keep you up to date either by this thread or via email.

Best regards,
J.
 
I am familiar with the Audyssey system, and I think it is great as long as a person understands its limitations. There are many things it cannot fix. Trust me on this, you are much better off treating the room and not relying on the audyssey system to "fix" everything for you. It's like putting in incorrect pistons or exhaust systems on an NSX and then asking the tuner to fix it with engine management. He can only do so much.

I disagree with what they are telling you about the ceiling, it is a HUGE factor and breaking it up would have resulted in much better sonics. I do agree that if you are creating a dead floor and walls, the ceiling should not be. But having a diffusive surface and an absorptive surface are two different things. You can tune a room perfectly using ONLY diffusors and no absorbers. The reverse cannot be done. I really don't know what to tell you, there isn't much you can do without ruining your ceiling. The results will be acceptable anyway, probably very good to most ears, just that it could have been better if you did not have this huge flat surface above your head. Especially at that height.

I don't recommend you throw too much absorption on the walls, I would not go all the way to the ceiling and floor. You want to have lots of absorption around the speakers themselves (in front). I'd kill the walls directly to the sides of the front speakers and the wall behind the fronts. There is no such thing as too much there. In the rear of the room, you want more diffusion. I'd cut back on the batting and put some diffusive panels there. You can actually make a combination absorber/diffusor panel, and mount those to a wall.

You can make an inexpensive diffusor using large halves of PVC pipe stuffed with batting behind it. We can talk more about this on PM or e-mail.

I am not saying don't use the audyssey multiEQ but use it after your room is done properly.

The ISF calibration is for the video projector... not the sound system.

One pair or two pairs of side surrounds also depends on how the room is treated. It's really a whole system. In your situation I would have used two pairs. You will see what I am talking about once you are done and you listen at different rows. But that's not a big deal either, you will be allright.

Do a search for PMI limited, Anthony Grimani, you will find some helpful stuff.
 
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I am familiar with the Audyssey system, and I think it is great as long as a person understands its limitations. There are many things it cannot fix. Trust me on this, you are much better off treating the room and not relying on the audyssey system to "fix" everything for you. It's like putting in incorrect pistons or exhaust systems on an NSX and then asking the tuner to fix it with engine management. He can only do so much.

I disagree with what they are telling you about the ceiling, it is a HUGE factor and breaking it up would have resulted in much better sonics. I do agree that if you are creating a dead floor and walls, the ceiling should not be. But having a diffusive surface and an absorptive surface are two different things. You can tune a room perfectly using ONLY diffusors and no absorbers. The reverse cannot be done. I really don't know what to tell you, there isn't much you can do without ruining your ceiling. The results will be acceptable anyway, probably very good to most ears, just that it could have been better if you did not have this huge flat surface above your head. Especially at that height.

I don't recommend you throw too much absorption on the walls, I would not go all the way to the ceiling and floor. You want to have lots of absorption around the speakers themselves (in front). I'd kill the walls directly to the sides of the front speakers and the wall behind the fronts. There is no such thing as too much there. In the rear of the room, you want more diffusion. I'd cut back on the batting and put some diffusive panels there. You can actually make a combination absorber/diffusor panel, and mount those to a wall.

You can make an inexpensive diffusor using large halves of PVC pipe stuffed with batting behind it. We can talk more about this on PM or e-mail.

I am not saying don't use the audyssey multiEQ but use it after your room is done properly.

The ISF calibration is for the video projector... not the sound system.

One pair or two pairs of side surrounds also depends on how the room is treated. It's really a whole system. In your situation I would have used two pairs. You will see what I am talking about once you are done and you listen at different rows. But that's not a big deal either, you will be allright.

Do a search for PMI limited, Anthony Grimani, you will find some helpful stuff.

Thank you for your response Turbo2Go,
I agree with you that having the proper acoustics, paired with the Audyssey system, would give a great result. I'll definitely plan to have the acoustics addressed in the build.

I can see what you are saying about the ceiling, and I should have seeked your advice before moving forward on the starfield. It seemed pretty unanimous from the forums that the way I had done it was correct, but I believe you about breaking up the ceiling. Perhaps a nice dome in the center would have done the trick. Unfortunately as you pointed out, it really is too late to do anything, and I'll make sure to remember it for the other one.

Great advice on the absorptions for the walls. I will add the Linacoustic from floor to about ear level only in that area between the L and R speakers and their first relative column. I will also add it to the wall where the stage/screen is.

I will email you about your inexpensive diffusors. I can go to Home Depot and buy those PVC's that they use for landscaping drainage. Would you recommend the 4" diameter size?

Momentary brain fart on my part about the ISF calibration for VIDEO. :redface:

As for the columns on the sides, it is not too late, as we have not started the detail work on the faces of the soffits and columns. I can still move them and place a second set of surround speakers. Where would you recommend that I place the two sets of surrounds? Should I move the existing one further back and get the first column near the L and R and move them back towards the first row?
How would I wire the two sets of surrounds? Would they need to be in phase or out of phase to each other? Can my amp power both sets if I placed them both together? Should I get the exact same Klipsch THX Ultra2 KS-525's for timbre matching or something else?

Thank you!
J.
 
You definitely don't want a dome in the theater. A convex shape might be allright... but a dome will wreak havoc on the sound.

I would go above ear level with the insulation up front. Well above. I would line 2/3 of the wall at least. You can even do the whole wall. You really want no reflections around the speaker area at all. And there is nothing you can do about that big flat 200" piece of sheetrock centered in the front. So line all around it.

Diffusors can go in the 1/3 center section of the walls in the back half of the room, but more deadening is a good idea directly opposite the screen. In other words use some diffusion on the back part of the room sides, and some in the rear, but not all the way across the rear.

In general, the more you can break up the sound the better. Flat reflective surfaces are never good. Any combination of absorption and diffusion will usually be better than a flat reflective surface, no matter how haphazardly it's thrown together.
 
Thank you Turbo2Go.

I will email you for the specifics so others don't have to read the minutia of it all.

My contractor will be here shortly and I'll ask him to move both sets of columns. Where would be the ideal place for both pairs of side columns? Directly to the sides of the first and second rows?

Unfortunately, I am forced to mount the center speaker in the upper soffit above the screen and angle it down.

Here are a couple of pics of the stage that we are about to build. The surface of the stage will be covered with some type of black carpet, as wood would be too reflective of the light bouncing off the screen. It will be functional, so I don't know if it is possible to acoustically treat it, other than the felt pad you suggested for the rest of the carpet in the room.

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Thank you!
J.
 
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Yawwn, yes directly to the sides. Put a piece of absober directly above and in front of the center channel on the ceiling to absorb the early ceiling reflections. what is the processor? it needs to be able to handle 4 side surrounds. Honestly in this situation I don't recommend dipoles. Dipoles are really designed for single speaker applications, and are in my opinion no longer a good alternative to either bipoles or monopoles especially in multi-speaker setups for effects channels. The psychoacoustic effects need to be created by the sound engineer not the speaker system. Dipoles take that control away from the engineer. In modern digital systems signals can be manipulated enough to create a non-direct effect or a direct effect. I know Tom still likes his dipoles... but I feel they are no longer necessary. If you plan on using the dipoles, I would probably just not go through the trouble and stick with the one set you have already. Two dipoles in that configuration will be canceling each other out.
 
Hey Yawwn

Did you see the article in the SF Chronicle about the home theater of C.C. Sabathia? He lives in Fairfield.

When Cleveland Indians pitching ace C.C. Sabathia wants to relax during the off-season, he heads to the Fireball Lounge.

There, the 26-year-old from Vallejo can grab a beer from the bar, watch a movie on the 162-inch drop-down projector screen or even get his hair cut by his barber.

The best part about the place? It's in his backyard. Literally.

The 1,200-square-foot high-tech cutting-edge hangout is tucked next to the pool behind Sabathia's Fairfield manse. Its nickname derives from the lefty's blazing fastball, which approaches 100 mph. Martin Mitchell, who designed the Fireball Lounge, usually refers to it as simply "the cabana." But this isn't some shack with plastic beach chairs and umbrella-topped drinks -- although there is a margarita-maker at the bar.

The theater area boasts five flat-screen televisions, as well as the enormous projector screen. A curved ticker provides real-time news and sports scores. The bar offers three beers on tap: Bud Light, Heineken and Miller Genuine Draft. Nearby is the black leather barber chair -- and the barber makes house calls for Sabathia and his son.

Sports memorabilia is showcased under glass tile flooring. Framed baseball jerseys line the wall -- Ichiro, Chavez, Grady Sizemore -- many with personal inscriptions.

The covered cabana patio has a fireplace with a 45-inch flat-screen TV mounted above it. Ceiling fans and heat lamps allow for year-round outdoor entertaining. The pool features a waterfall and a grotto with a hot tub and, yes, another TV.

Every year, Sabathia leaves all of this behind when he reports for duty with the Indians, who drafted him out of Vallejo High School in 1998.

During the baseball season, he lives in the Cleveland suburb of Westlake. Joining him are his wife, Amber, who was his high school sweetheart; their 3-year-old son, Carsten Charles III, who goes by "Lil' C"; and their daughter, Jaden, almost 2.

Despite living in California less than half of the year, Sabathia maintains strong ties to the town where he grew up. He donates his time and money to the North Vallejo Little League and the local Boys and Girls Club. "Without those places, I would not be where I am today," he said.

He also participates in Strikeouts for Troops, the charitable organization founded by San Francisco Giants pitcher Barry Zito that assists wounded servicemen and servicewomen during their recovery. Last season, Sabathia contributed $100 for every strikeout he threw, raising $17,200.

Although he describes the fans in Cleveland as "amazing," Sabathia said of the Fairfield abode: "This is home first."

After all, it is the house where he and his family host Thanksgiving dinners, Christmas gatherings, Super Bowl celebrations, and regular Sunday and Monday night football parties. He and his wife chose the gated subdivision in Fairfield in part because of its proximity to Vallejo.

"It is hard to leave our home every spring," said Amber Sabathia. "We mostly miss the time we are able to spend with our family and friends in our home."

Next week, they will make a special trip back to the Bay Area: C.C. was selected for the All-Star team, which he considers "a privilege and a wonderful experience," he said. On Tuesday, his American League squad will square off against the National League at AT&T Park in San Francisco.

When the Sabathias bought their Fairfield home in 2004, the main house was new. "When we first walked in, we both looked at each other and said, 'This is our home!' " Amber recalled. "We knew immediately."

The cabana and pool areas were designed and constructed from the ground up. The entire project took about two years, and was completed in September -- just in time for MTV to film a segment of "Cribs," the show that lets viewers peek into celebrity homes.

Mitchell, president of Martin Perri Interiors in San Ramon, was hired to decorate and furnish it. "The house was a blank slate," he said. "Amber had selected some pieces for the family room but wasn't that comfortable with them."

The designer acknowledges that when it comes to furnishing an entire house, top to bottom, "it can be intimidating for people to make decisions." C.C. Sabathia's frame -- he's 6 feet 7 and weighs 290 pounds -- presented an additional challenge, Mitchell said.

"For many professional athletes, you can't just walk into a store and buy furniture," he said. "Everything was custom. Everything was upscaled in size, comfort and construction."

The home's entryway, which is defined by travertine floors and white pillars, leads into "the piano room." Nevermind that no one in the family can play; the Yamaha works with MP3s and CDs.

Sheer curtains cascade from the 27-foot ceilings to the floor, which, coincidentally, is laid with black granite tiles in a shape resembling a baseball diamond.

To add warmth, the maple floors in the study were replaced with antique walnut. The black cabinets were designed by Martin Perri Interiors to display trophies and mementos, including Sabathia's first home-run ball and a boxing glove signed by Muhammad Ali.

A brown leather chair studded with brass swivels between two desks. One desk is for the computer, while the other is set up for reading and studying. (Amber Sabathia is graduating in the fall from San Francisco State University.)

In the master bedroom, neutral earth tones allow the custom-designed, large-scale furnishings to feel relaxing rather than overwhelming. To get into the bed, which is 3 feet high, Mitchell quips that a running jump or pole vault is required. Since it is nearly double the size of a California king, the mattress and bedding were also specially made.

Upstairs, Mitchell treated the children's bedrooms like mini projects. "It's about creating an individual space -- breaking off from the sophistication of the rest of the house," he said. "We wanted to create an environment that would be fun for a 2- or 3-year-old."

While Lil' C's room has a sports theme, Jaden's has a garden motif. Almost everything in the rooms is custom, including the bunk beds and carpeting. The elaborate murals in both rooms took two months to complete.

"My favorite parts of the home are the children's rooms," Amber Sabathia said. "I adore them."

As for her husband, she said, he might be partial to the Fireball Lounge. That's where Mitchell and the San Mateo firm Sight & Sounds really indulged C.C. Sabathia's love of high-tech gadgetry.

"If there is something new out, I want it!" he said. "I told Martin I wanted the newest, most high-tech equipment installed in my home. ... My wife says the ticker in the cabana was a little too high-tech for her, but I love it."

Mitchell presses a few buttons on a control panel and suddenly, all five TVs in the cabana's theater -- four 45-inch Sharp LCD screens and one 63-inch NEC high-definition plasma -- come alive with the Disney Channel's "Lilo and Stitch" cartoon.

Just in case the parents don't always share the kids' programming taste, each TV can display a different channel. Wireless headphones negate any audio conflicts.

The audio for the room is a Linn system from Scotland. Each speaker drive has its own amplifier, for a total of 16 in the system, each running at 100 watts.

With another touch of a button, the projector screen drops from a ceiling soffit. The custom Stewart Filmscreen works with an InFocus Screenplay HDTV projector.

The mirror in front of the barber chair is embedded with a 20-inch LCD TV. Just because it's time for a haircut doesn't mean Sabathia has to miss a single moment of a game or movie.

By using ebonized mahogany wood and stainless steel accents, Mitchell brought the contemporary aesthetic of the main house into the cabana. Sabathia's fireball logo, a baseball with flames trailing, was incorporated into the carpeting and on the black leather theater seats. The pitcher's designated chair is monogrammed with "Dub" (short for Double-C).

Although the Fireball Lounge was the most challenging part of the renovation, it was also the most rewarding for Mitchell. "Seeing how happy they are with the finished product makes it all worthwhile," he said.

Before Mitchell entered the picture, the backyard was "a huge dirt hill," Amber Sabathia said.

"Martin was a savior," she added. "He turned our house into a home."


Pics:

http://www.sfgate.com/cgi-bin/object/article?f=/c/a/2007/07/04/HOGA7Q75RG43.DTL&o=0
 
Hi DDankew,
Thank you for your post about C.C. It is an interesting read, and I enjoyed viewing the photos of his home.

Sorry for the delay in responding. It has been very hectic with my newborn daughter.

We have been continously building out the theater during this time, and I have attached some progress photos. Next week is time to sand down all the wood, and then prime and faux paint. We'll add the absorbers and diffusers, and then we'll add the red velvet walls and install the 24 transducers for each seat.

What looks like hair growing out of the wall is in fact fiber optic cables coming out of the ceiling for our star field:
<table style="width:auto;"><tr><td><a href="http://picasaweb.google.com/calbearpublic/MovieTheaterGameRoomAVRoomAndLobby/photo#5102350419288853682"><img src="http://lh3.google.com/calbearpublic/Rs8wrEVHDLI/AAAAAAAAACI/X0WZ2r_L4oU/s800/fiberoptic.JPG" /></a></td></tr><tr><tr><td style="font-family:arial,sans-serif; font-size:11px; text-align:right">From <a href="http://picasaweb.google.com/calbearpublic/MovieTheaterGameRoomAVRoomAndLobby">Movie Theater...</a></td></tr></table>


This is a picture of the bass shakers / transducers:
<table style="width:auto;"><tr><td><a href="http://picasaweb.google.com/calbearpublic/MovieTheaterGameRoomAVRoomAndLobby/photo#5102350432173755586"><img src="http://lh6.google.com/calbearpublic/Rs8wr0VHDMI/AAAAAAAAACQ/hPhwEuDnPFA/s800/DSC04978reduced.JPG" /></a></td></tr><tr><tr><td style="font-family:arial,sans-serif; font-size:11px; text-align:right">From <a href="http://picasaweb.google.com/calbearpublic/MovieTheaterGameRoomAVRoomAndLobby">Movie Theater...</a></td></tr></table>


An updated photo of the soffitt and columns, as well as two sets of dropped crown molding (egg and dart):
<table style="width:auto;"><tr><td><a href="http://picasaweb.google.com/calbearpublic/MovieTheaterGameRoomAVRoomAndLobby/photo#5102350406403951762"><img src="http://lh4.google.com/calbearpublic/Rs8wqUVHDJI/AAAAAAAAAB0/VUEdvZyyam4/s800/DSC04972reduced.JPG" /></a></td></tr><tr><tr><td style="font-family:arial,sans-serif; font-size:11px; text-align:right">From <a href="http://picasaweb.google.com/calbearpublic/MovieTheaterGameRoomAVRoomAndLobby">Movie Theater...</a></td></tr></table>

Photo of one of the two front columns which flank the screen. You can see the screen wrapped in plastic just to the left:
<table style="width:auto;"><tr><td><a href="http://picasaweb.google.com/calbearpublic/MovieTheaterGameRoomAVRoomAndLobby/photo#5102350414993886370"><img src="http://lh6.google.com/calbearpublic/Rs8wq0VHDKI/AAAAAAAAACA/LXexIi1supw/s800/DSC04973reduced.JPG" /></a></td></tr><tr><tr><td style="font-family:arial,sans-serif; font-size:11px; text-align:right">From <a href="http://picasaweb.google.com/calbearpublic/MovieTheaterGameRoomAVRoomAndLobby">Movie Theater...</a></td></tr></table>

I'll keep updating this as I see significant progress.

Thanks for your interest!
J.
 
Yaawn, looking good. But I hope you know that pink stuff in the soffits won't do a thing acousticaly. If I were you I'd pull it out and put in some Ultratouch batting. Looks like you made the opennings for the bass traps but did you stuff it with pink owens corning?
 
Hi Turbo2Go,
Good to hear from you.
We put the pink Owens Corning insulation because we were required by the city to have that there where we have the flush lights.
I still need to get the acoustic batting delivered so that I can place it in the walls and columns as you suggested. I am also in the process of installing the pvc diffusors you recommended. I'll update with new pics after I get them installed. Thanks for your comments.

Take care,
J.
 
Bumping to find out if you ever did sell this amazing looking home.
 
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